Sheet music.
Found in 40 Collections and/or Records:
A song by Iain Camshron, 'Air fal il o ìriag', in an arrangement for soprano and mezzosoprano duet by Eòin Mac a' Mhuilleir (Eoin Millar)., 1981
An arrangement by Eòin Mac a' Mhuilleir (Eoin Millar), dated 1981, of a song by Iain Camshron (John Cameron), known as Bàrd Phàislig or the Paisley Bard. The song begins ''S mi 'm shuidhe air m' uilinn air toman a' chuilinn, / 'S mi 'g éisdeachd ri luinneag nan eòin'. 3 stanzas of 4 lines, with a chorus of 4 lines beginning 'Air fal il o ìriag hiùraibh o hìlibheag'.
The music is given in staff notation and tonic sol-fa notation.
Autograph score of William Wallace, "Songs by Heine".
Presentation autograph score of William Wallace's arrangements for voice and piano of six poems by Heinrich Heine. Dated 1888, and inscribed to "Mrs Young". Contains arrangements of the following: 1. Ein Jüngling liebt ein Mädchen; 2. Wenn zwei von einander scheiden; 3. Ich hab im Traume geweinet; 4. Ich stand in dunkeln Träumen; 5. Vergiftet sind meine Lieder; 6. Mädchen mit dem rothen Mündchen.
'Benediction Music George H. Tilbury', signed 'Ralph D. Kerr, Newbattle, 1864'., [1864, or before.]
There is a loose leaf containing 'We come to thee, sweet Saviour', and 'St Henry's litany'.
Commonplace book of Donald Mackay, 1848, containing miscelleanous texts including medical prescriptions, texts of religious instruction, songs partly with music, and Gaelic songs, partly composed by Mackay himself.
Damaged fragment of sheet music., n.d.
Four volumes of music, including songs by Lady John Scott, detailed in Miss Warrender’s notes in MS.834., Mid 19th century-late 19th century.
Groups of undated songs, untitled tunes, and notes by Joe Corrie., Mid 20th century.
John Rose, full score of "Spem in alium".
Full score including choir part. Entitled "Spem in alium nunquam habui, motet for chorus (dir.), 4 horns, 3 trumpets, 3 trombones, tympani (4) and organ". In the composer's hand, with corrections. Paginated by him, 2-42. Dated at end: 12th June 2001.
Literary papers, music and drawings of various members of the Elliot of Minto family., 18th century-early 20th century.
As well as material of inherent literary or intellectual interest, the papers in this section, deriving from various members of the family, provide a record of entertainment and leisure in the late eighteenth and early nineteenth centuries.
Loose sheets of Scottish music, including seven songs by Lady John Scott, bound with notes on the collection by Miss Margaret Warrender., Mid 19th century-early 20th century.
Manuscript music and song texts originally contained in a folder labelled 'Mr John Rankin Mòd Music'., 1928 - 1981
A small collection of material, most of which probably originateding with the Mòd and Music Committee. The original division into separate folders has been retained.
Minutes, accounts, and miscellaneous papers of the Edinburgh Skating Club.
Miscellaneous music, chiefly for keyboard, of the Elliot family of Minto., [Circa 1770], early 19th century.
Miscellaneous musical collection, from the library at Newbattle Abbey., [Circa 1720.]
The contents are: two minuets and a march in the 'trumpet' style; 'Take head Bellinda', an aria by John Weldon in a version (apparently by the composer) for flute; and three arias with violin obligato entitled 'Thus with thrust [sic] my soul expiring' (anonymous), 'Lusinga del mio core' (from the opera 'Hydaspes' by Francesco Mancini, circa 1711), and 'Too lovely cruel fair' (from the opera 'Pyrrhus and Demetrius' by Nicolo Francesco Haym, circa 1715).
Miscellaneous papers of the Edinburgh Skating Club., 1841-1969, undated.
Music books and sheet music of Isobel V S Dunlop., 1916-1974, undated.
Music manuscript of reels and strathspeys, ca. 1766, belonging to Elizabeth Rose of Kilravock.
Music relating to 'Blood red roses'., Undated.
Papers, chiefly typescripts of Canon Andrew John Young., Early 20th century-mid 20th century.
Papers of Herrick Bunney, musician and organist of St Giles' Cathedral, Edinburgh.
Corrspondence and papers of Herrick Bunney, documenting mainly his work at St. Giles' Cathedral, Edinburgh. It contains papers illustrating his musical activities, as well as papers and photographs documenting the fundraising for, and installation of a new organ at St. Giles' in the 1990s.
Poems, prose pieces and music by various authors collected by Christopher Murray Grieve, 'Hugh MacDiarmid'., 1942-1978, undated.
Many may have been sent to Christopher Murray Grieve, ‘Hugh MacDiarmid’ for his opinion. A substantial number are unsigned and many are incomplete. They include part of a biography of John MacLean by James Maxton (folio 116), a chapter on the Celtic background of Scottish literature (folio 181), and part of an interview with MacDiarmid by Alexander Scott (folio 227).