Scores.
Found in 315 Collections and/or Records:
Heavily corrected setting for voices and piano, interleaved with a fair copy of the full score of a setting for baritone solo, chorus and orchestra, of the ballad 'Sir Patrick Spans' by David Stephen., 1920.
Apparently composed, or completed, in 1920, according to a deleted note at folio 48. The orchestral accompaniment in short score was published the same year.
An anglicized printed copy of the ballad, with numerous amendments in ink restoring the original Scots words, is at folio 2.
Many substantial corrections to the keyboard version are written on fragments of paper pasted to the leaves, and folio 28 is an addition written on a scrap of paper tipped in.
'Hebridean suite' by John Davidson., [?1871-?1926.]
Incidental music of G W Crawford., [?1892-?1941.]
“Invernessshire grand march compos’d expressly for, and dedicated (by permission) to Lt.-Col. Duff. By M[ichael] Kelly”, arranged in full military band score.
John Rose, full score of "Spem in alium".
Full score including choir part. Entitled "Spem in alium nunquam habui, motet for chorus (dir.), 4 horns, 3 trumpets, 3 trombones, tympani (4) and organ". In the composer's hand, with corrections. Paginated by him, 2-42. Dated at end: 12th June 2001.
Lachrimae for string orchestra, undated, by Ronald Center., Mid 20th century.
The work was previously entitled 'Requiem for an artist’.
Letter, 1916, of William Wallace concerning his symphonic poem 'Villon', with the first page of the full score, [1909].
Letter, 1960, to Don Whyte, returning him a script, 1949, of a broadcast; and music, undated, of pieces composed or arranged by Whyte used in Children's Hour broadcasts., 1949, 1960, undated.
List of thirty-one Scots songs, both traditional ballads and poems by Burns and other authors, followed by arrangements of twenty-nine of them by David Stephen., Early 20th century.
The arrangements are marked ‘second copies’ and have tonic sol-fa notation added in red.
The compilation was made for a tenor album, which does not appear to have been published, of ‘Folk songs of Scotland’ edited by David Stephen and Robert Burnett.
‘Lochinvar’ by G W Crawford, a setting for chorus and orchestra., [?1892-?1941.]
Manuscript full orchestral score by Norman O'Neill for the complete play of ‘The last heir’ by Stephen Phillips., 1907-1908.
Manuscript, 'Melody for orchestra', by Learmont Drysdale; the full score in separate parts., [Before 1910.]
Manuscript music belonging to the Edinburgh Harmonists’ Society, including some written specifically for it., 1810-1921, undated.
Manuscript, 'Trio in F for piano, clarinet and bassoon', by Learmont Drysdale: score and revisions., [Before 1910.]
Manuscripts and typescripts of Sydney Goodsir Smith., 1934-1974.
Manuscripts in the Cecil Hopkinson Collection of Hector Berlioz.
Marches and dances arranged for string quartet followed by two songs for voices and piano by John Davidson., [?1871-?1926.]
The contents are as follows:
(i) Marches and dances arranged for string quartet (folio 1);
(ii) Two songs for voices and piano (folio 19 verso), the second of which is dated 1908 (folio 21 verso).
It is not clear whether the covers belong to the leaves. Folios 17-22 are additions, stitched to the rest of the volume.
‘Margherita waltz’, opus 7, by G W Crawford., [?1892-?1941.]
333 x 260 millimetres.
Melody 'The dead heart' by James Scott Skinner, composed for and presented to Miss Lizzie Cox Colville, music saleswoman, Dundee., 1909.
Microfilm of autograph score of the overture “Tam o' Shanter”, Opus 51, by Malcolm Arnold, bearing several marks from use in performance.
Miscellaneous collection of instrumental music by Learmont Drysdale., [1893-1898.]
Includes a piano score of the overture 'Herondean' (folio 32), a Maypole dance from 'The Red Spider' (folio 3), and duplicates of MS.3207: Ballade, for violin and piano (folio 9).