Scores.
Found in 315 Collections and/or Records:
Chamber music, undated, of Ronald Center., Mid 20th century.
'Characteristic pieces for violin and piano' by John Davidson, containing the violin part of most of the pieces in MS.22047, followed by the score of two pieces for violin and piano., [?1871-?1926.]
'Characteristic pieces, for violin, with accompaniments, for pianoforte', consisting chiefly of Scottish and other dances., [?1871-?1926.]
A made-up volume. The cover is two sheets of cardboard.
Choral music of David Stephen., [?1899], 1920.
Choral music of G W Crawford., [?1892-?1941.]
Choral settings, undated, of a few poems and some religious texts, chiefly for soprano, alto, tenor and bass, with, in some cases, accompaniment, usually organ, by Ronald Center., Mid 20th century.
All settings are undated, but the ink used indicates that at least some were composed about 1950.
Collection of music by Hector Berlioz., Early 19th century-mid 19th century.
Collection, undated, apparently complete, of various arrangements of Scottish dances., 1st quarter of 20th century-3rd quarter of 20th century.
Complete vocal score, and partial piano and orchestral scores for 'The Red Spider, a romantic comic opera in three acts; libretto by S Baring Gould, music by Learmont Drysdale'., 1898.
Contemporary copy of the score of acts I-II of ‘Il Trovatore’ by Verdi., 1853.
Contemporary copy of the score of acts III-IV of ‘Il Trovatore’ by Verdi., 1853.
A leaf has been torn out after folio 87 but without loss of text.
Contemporary copy of the score of ‘Il Trovatore’ by Verdi.
Copies of manuscript music of Georges Bizet and Percy Grainger., 1943-1954.
The contents are as follows: (i) Negative photostats of the manuscript full score of Bizet's 'Valse avec Choeur' in G major; with other fragments (Paris Conservatoire MSS 428 and 431) (folio 1); (ii) Photocopies of the autograph manuscripts of pieces, 1943-1954, by Percy Grainger: Two Faroese dances, and 'Walking tune' for piano duet, 'Bristol town' for piano 6 hands, and "The widow's party" for piano solo prepared for the projected "Music lover's Grainger" (folio 79).
Copy in a contemporary hand of the score of ‘Il Trovatore’ by Verdi.
‘Il Trovatore’ by Verdi was first performed in 1853.
Corrected full score of 'Thomas the Rhymer', an opera in four acts by David Johnson.
Correspondence of Ronald Stevenson addressed to Roger Duce, with a composition dedicated to Duce.
Dances (especially waltzes) and marches, most of which are original compositions by John Davidson., [?1893-1910, or after.]
The first 22 pieces (folios 1-37) appear to have been part of a series of at least 25 pieces.
The 'Royal Wedding Quadrille' (folio 38) is dated 1893. Folio 25 is written on the verso of a bill dating from 1910 or later.
Drafts, notebooks and manuscript books relating to "The Seven Deadly Sins: a Mask"., 1973-1974
Drafts, sketches and fragments of unidentified works by Ronald Center., Mid 20th century-[?1973].
Fair copy of ‘Romance for full orchestra’ by Robert McLeod., 1936.
Fair copy of the full score of ‘The Sleeping Beauty’ by G W Crawford., [?1892-?1941.]
'Festival Mass for full orchestra & chorus; a study in instrumentation, composed by William Wallace' (born 1860), in his autograph.
The composer gives a history (folio xiii) of the work, which was composed in 1886-1887 and, in part, scored in 1888 (see dates on various folios). Some parts are incomplete.
Interspersed with the music are unruled leaves, bearing illuminations, manuscript notes of the composer, etc., on folios i-ii, viii, x-xiii, xxv, xxvii verso, xxviii verso, xxxix, xliii, xlvii, li.
Final versions of musical compositions of Ronald Center., Mid 20th century-[?1973], undated.
Fragmentary full score of ‘Tita’, the first opera by Ladislao Zavertal, composer and conductor.
The opera was produced at Treviso in 1870, and later rewritten and published as ‘Adriana’ (Lago di Como, 1930). The score, in the handwriting of Ladislao Zavertal’s father, Vaclav Hugo Zavertal, then Director of the Istituto Musicale of Treviso, appears to have been undergoing revision, and many pages have been discarded and replaced by others.
"Franco-Scottish March, for full orchestra, arranged from 'The Scottish Tribute to France'. Cantata for chorus and orchestra, written by his Grace the Duke of Argyll, K.T., composed by Learmont Drysdale.", 1903.
Also included are three songs: 'Ireland', 'Scotland', and 'England'. The date 1903 occurs on folio 9.