Manuscripts.
Found in 6567 Collections and/or Records:
Manuscript, possibly 11th century, of the Gospels of Saints Mark and Luke, and part of the prologue of Saint John.
Manuscript prepared for typing, of the prelude and chapter 1 to chapter 3, part 4 of the novel ‘Mungo’ by George W Slaney, (‘George Woden’)., [1932, or before.]
Two later fragments have been tipped in at the end.
Manuscript press-copy of chapters 1-20 of ‘Briseis’ by William Black., [1896, or before.]
Manuscript, "Pretty Bob!", by Maria Edgeworth., ? 1815.
Manuscript, probably from Normandy, of the complete works of Horace.
Manuscript, probably of the 15th century, written in England, containing various works on canon law, including: the 'Casus decretalium' of Johannes Burgundus de Maioricis; a summary of the 'Decretales - Liber Sextus' of Pope Boniface VIII; the 'Apparatus ad Constitutiones Clementinas' possibly by Gulielmus de Monte Lauduno; and short extracts by other authors.
Manuscript, probably Scottish, of the 'Vitae Caesarum’ of Suetonius.
The final lines, ‘pro certo habuisse’ etc., are lost.
Before the text is placed without heading Ausonius, `Caesares` (XXI Monosticha 6-41 in Karl Schenkl`s edition), which is found in other 15th-century manuscripts of Suetonius, and a list of chapters.
Ornamental initials in blue and red.
Marginalia throughout in the hand of Archibald Whitelaw, secretary to James III.
Manuscript prologue to a projected histocial novel of Meredith H Armstrong Davison, "The Melee of the Lowlands, a Story of the 16th Century".
Includes notes on events in Scotland in 1542-1543.
Manuscript prompt-copy of act I of ‘Donna Diana’ adapted by John Westland Marston., 1863.
Manuscript prompt-copy of act II of ‘Donna Diana’ adapted by John Westland Marston., 1863.
Manuscript prompt-copy of act III of ‘Donna Diana’ adapted by John Westland Marston., 1863.
On folio 41 is a note in the same hand as the text, 'G.H. Gates. Prompter. Royal Lyceum Theatre 1863'.
Manuscript prompt-copy of ‘Donna Diana’, a comedy in three acts, adapted by John Westland Marston from the German version of ‘El Desdén con el Desdén’ by Agustin Moreto.
John Westland Marston wrote his version of the play for the actor Hermann Vezin, to whom this manuscript belonged. There are numerous annotations of the actors' movements and cuts in the text.
Manuscript, "Remarks on the Royal Supremacy as it is defined by Reason, History, and the Constitution. A letter to the Lord Bishop of London", by William Gladstone., 1850.
Manuscript research notes and drafts of 'Tricks of the light' by Alison Fell., 2003, undated.
Manuscript resolution of Leith workmen against Incorporation of Weavers.
Manuscript revisions by Robert McLellan for "The Isle of Arran" (2nd edition, 1976).
Manuscript score, 1979, of Ronald Stevenson`s "Violin Concerto".
Includes note, 1992, of Yehudi Menuhin and three photographs taken at the first performance, Glasgow, 1992.
Manuscript score and printed copy of Marie Dare, "Menuet for Double Bass and Piano".
Manuscript score of Murray M W Adair setting of, The Auld Man", a poem by William Soutar.
Manuscript scores of Gaelic and Scots songs for the clarsach, by Jean Campbell.
Includes a copy of article (English translation) by Ank Van Campen on Jean Campbell.
Manuscript, seventeenth century, of 'Diurnal of occurrents, 1513-1572', based, perhaps indirectly, on the same original as the Pollok Manuscript, published as ‘A diurnal of remarkable occurrents’.
The manuscript differs considerably from the Pollok Manuscript; in parts it is fuller, but it ends in 1572 (page 299 of the Bannatyne volume).
A note of the donor (folio ii) suggests it is one of the Demnilne Manuscripts.